Mixing Consoles

There are hundreds of mixers on the market and each has its own set of features. Which one is right for you? How many inputs and outputs do you need?

Call 847/367-9588 and let our rental staff walk you through the difficult process of choosing the right one.

Click Here to download a PDF file detailing the specs of all mixers in T.C. Furlong's rental and show stock

Soundcraft MH4

• 40 mono inputs + 4 stereo inputs

• 8 groups

• 8 programmable VCA groups

• 16 auxiliary sends

• 3 main outputs

• 8x16 matrix

• Programmable mutes

• 2 power supplies

Yamaha PM5000-52C

• 48 mono inputs + 4 stereo inputs

• 8 groups

• 10 VCA groups

• 20 auxiliary sends

• 3 main outputs

• 12x12 matrix

• Moving faders - digitally controlled analog faders

• Programmable VCA's, mutes, and switching

• 2 power supplies

Soundcraft MH2

• 40 mono mic/line input modules with 4 sweepable bands of EQ and an adjustable frequency high pass filter

• 4 stereo mic/line inputs with 3-band fixed EQ

• 8 groups

• 8 VCA groups

• 11x4 matrix

• 10 auxiliary sends which can be configured to use the group faders and insert points

• 3 main outputs with LCR or standard panning

• 6 mute groups

• 2 power supplies

Soundcraft K3 - Theater

• 39 mono mic/line input modules with 4 sweepable bands of EQ and a fixed frequency high pass filter

• 4 stereo line returns on short faders

• 8 groups

• 10x8 matrix

• 8 auxiliary sends

• 3 main outputs

• 8 mute groups plus 128 scene muting

• 2 power supplies

Soundcraft K3 - Standard

• 36 mono mic/line input modules with 2 sweepable bands of EQ, high and low shelving EQ, and a fixed frequency high pass filter

• 4 stereo line returns on short faders

• 8 groups

• 10x4 matrix

• 8 auxiliary sends with insert points

• 3 main outputs

• 8 mute groups plus 128 scene muting

• 2 power supplies

Allen & Heath GL3300 - 32 channel

• 28 mono inputs + 4 stereo inputs

• 8 groups

• 8 auxiliary sends

• 8x2 matrix

• 3 main outputs

• 2 power supplies

Allen & Heath GL3300 - 24 channel

• 24 mono inputs

• 8 groups

• 8 auxiliary sends

• 8x2 matrix

• 3 main outputs

• 2 power supplies

Allen & Heath GL2200 - 24 channel

• 22 mono inputs + 2 stereo inputs

• 4 groups

• 6 auxiliary sends

• 3 main outputs

Allen & Heath GL2200 - 16 channel

• 14 mono inputs + 2 stereo inputs

• 4 groups

• 6 auxiliary sends

• 3 main outputs

Midas Venice 320

• 24 mono inputs + 4 stereo inputs

• 4 groups

• 6 auxiliary sends

• 2 main outputs

• XL4 designed mic pre's

Midas Venice 240

• 16 mono inputs + 4 stereo inputs

• 4 groups

• 6 auxiliary sends

• 2 main outputs

• XL4 designed mic pre's

Yamaha M7CL

• 48 mono inputs + 4 stereo inputs with full 4-band fully parametric EQ and dual dynamics processors

• easy to learn with touchscreen interface and straightforward user interface - no layers!

• 16 mix busses/auxes

• 8 matrix sends which can also function as auxes

• 16 outputs

• built in processing - 8 virtual rack units including graphic EQs and up to 4 stereo multieffects units

Digidesign VENUE D

• 48 inputs and 8 outputs

• extensive processing including popular plugins

• digital snake system to stage

• hard disk recording

Yamaha O1V

• 12 mono inputs + 2 stereo inputs

• 4 groups

• 4 auxiliary sends

• 2 main outputs

Click Here to download a PDF file detailing the specs of all mixers in T.C. Furlong's rental and show stock

Soundcraft Series 5

• 44 mono inputs

• 8 groups

• 10 VCA groups

• 20 auxiliary sends

• 16x10 matrix

• 3 main outputs

• On-board clear com interface

• 2 power supplies

Allen & Heath GL2200 - 16 channel

• 14 mono inputs + 2 stereo inputs

• 4 groups

• 6 auxiliary sends

• 3 main outputs

Midas Venice 320

• 24 mono inputs + 4 stereo inputs

• 4 groups

• 6 auxiliary sends

• 2 main outputs

• XL4 designed mic pre's

Midas Venice 240

• 16 mono inputs + 4 stereo inputs

• 4 groups

• 6 auxiliary sends

• 2 main outputs

• XL4 designed mic pre's

Mackie ONYX 1640

• 16 mono inputs

• 4 groups

• 6 auxiliary sends

• 2 main outputs plus summed mono output

• 4-band EQ with swept mids

Ramsa WR-C4520

• 16 mono mic/line inputs

• 4 stereo line inputs on long faders

• 4 groups

• 4 auxiliary sends (2 fixed post fader and 2 switchable pre- or post-)

• Direct outs on 16 mono channels

• 6x8 matrix

• 2 main outputs

Ramsa WR-S4416

• 16 mono mic/line inputs

• 4 stereo line returns on potentiometers

• 4 groups

• 4 auxiliary sends (2 fixed post fader and 2 switchable pre- or post-)

• Direct outs on all mono channels

• 2 main outputs
   

Ramsa WR-S4412

• 12 mono mic/line inputs

• 4 stereo line returns on potentiometers

• 4 groups

• 4 auxiliary sends (2 fixed post fader and 2 switchable pre- or post-)

• Direct outs on all mono channels

• 2 main outputs

Mackie 1604VLZ

• 16 mono mic/line inputs

• 4 groups

• 6 auxiliary sends on 4 potentiometers

• 3 main outputs

Mackie 1402VLZ

• 6 mono mic/line inputs

• 4 stereo line inputs

• 2 auxiliary sends

• 2 main outputs

Mackie 1202VLZ

• 4 mic/line inputs

• 4 stereo line inputs

• 2 auxiliary sends

• 2 main outputs

Shure FP410 4 channel automixer

• 4 mic inputs

• Expandable to 8 channels via link cable

• Can be battery or AC powered

• 2 main outputs

Shure SCM810 8 channel automixer

• 8 mic inputs (XLR) or 8 line level inputs (1/4")

• 1 line level output (XLR or 1/4")

• 8 direct outputs (1/4")

• Expandable via link cable

Electro-Voice 100M

• 8 channel "mixer style" console with faders for channel mixing

• 2 auxiliary sends

• 2 amplifier channels

Peavey XR600E

• 6 channel "guitar head style" mixer with rotary potentiometers for channel mixing

• 2 auxiliary sends

• 2 amplifier channels

Midas "Easy Tilt" console stand (28.5" high)

Pro Span Support "Easy Tilt" console stand (28.75" high)

Click Here to download a PDF file detailing the specs of all mixers in T.C. Furlong's rental and show stock